Daily sketch 02

A little tram waiting for another chance..

Introducing SamuelMichlap.com

I wanted to introduce my new web site! For my complete portfolio, (well as much as I could find at the moment) please go to www.samuelmichlap.com.
Enjoy,
-Sam

http://samuelmichlap.com/

Daily Sketch

A daily sketch. Nothing fancy but it was fun to create a quiet mood.
Enjoy.
-Sam

layout, set design and plein air sketches

Here is a random bunch of film layouts/set designs and plein air paintings. Enjoy!
-Sam

CGMA class

 I'm very excited to announce that I will be co instructing with Armand Serrano this term for his online class "Environment Sketching for Production".  I will be giving direct notes over each student's weekly assignment and then following up my notes with a live Q and A session. It's never been easier to get to the next level with your art since it's all done from the comforts of your own home! This is a fantastic course so hurry to reserve your spot since space is limited. See you online! To register, visit http://www.cgma2dacademy.com/
-Sam

Vis Dev set design and layout from Hunchabck of Notre Dame

Lecturing/demo at CTNx

Hi everyone, I'll be giving a live digital demo and speaking about Production Design/Vis Dev at CTNx so come out and say hi if you're in the area. Check out this link for my bio page. I plan on attending both Friday and Saturday. The "Digital Demo" is at 6pm Friday. I'm also participating in the "Breakfast with the Pros Sat. Morning, and doing a "Creators Conversation" on Sat, in the afternoon. Check the web site for times. Best, Sam

story sketching for Vis Dev

The coolest part of my job as a Production Designer is the initial concept of an idea. I am not talking about a finished concept painting but instead the more important scribble that will help visualize the written word. Over the years I have found a short hand for expressing my ideas, and none of it includes finished technique. Done with only a pen, paper and markers, the artist must utilize every device at their disposal to capture the viewers attention and then keep it to tell the story visually. I am starting with location design from "AstroBoy".The drawings were done during our story meetings. I sketched as we talked. I will post more and do some analysis of why and how these sketches communicate effectively. -Sam

From my flat files: part 1

I thought I would start digging around my flat files for things I usually pull out for class discussions or for fond old memories.
The yellow palace interior is for " The Prince of Egypt". I did it shortly after joining DreamWorks back in '96. It was a quick study for prop and technique design. The assignment: Could we paint directly over a line drawing instead of tracing the layout onto the board? Yes, of course! You can do it with Watercolor painting, but can you do it with an opaque painting? Yes, it just takes patience and the ability to correct the shapes and perspective as you go, if you do lose the drawing. This image was painted over a xerox of the line drawing, which was first glued to a piece of board.

Detail of shapes for our world.

My typical nightly practice sketches from around '94.
I would make up little scenes after a full day of work at Disney. I was in the Layout dept. at the time and designed backgrounds, but we handed them over to the background dept. for final painting. I have many extremely talented friends who were background artists. Many of them have made my layouts look spectacular! But, I was frustrated because I trained as an illustrator, used to painting my own layouts. The problem at that time was that I could not really paint that well... Other than my illustration rendering classes, I never took a formal painting class during my school years so I had to teach myself, with the guidance of a few very special friends, how to paint! Thus I did hundreds of these little scenes as a way to both study film design and how to express those ideas in paint. Incase you were wondering, yes there is a huge difference between painting and illustrating. These sketches were done on Masonite wood board in acrylic. The idea was to paint them very fast with lots of energy, without the tight rendering. Basically indicative painting. If you nail the correct value, color, and temperature of each shape, and of course put that shape in the right place, you can describe everything with the fewest strokes possible. Those of you who know all of this stuff please excuse the basics I am covering here.

Jump ahead several years... almost ten, and here I am sketching from imagination for my gallery oils. These were used as a guide for the larger final paintings. I always used Gouache for these sketches. Titled "upper Level",the final oil sold thru one of my galleries in Houston Texas in '02. I am still sad it sold because I had a great time painting the this and the final. Bye for now and best of luck with your image making!

Sam

Sinbad vis dev

Some Old school Vis Dev when we used real materials like markers and Oils. We had to draw and paint our images very large so the execs would notice them on the pitch walls. We did not have the luxury of large scale printers! These were 30"x40". Lots of fun!
Sam

sam

MegaMind Vis Dev

MegaMind.
I wanted to show the benefit of doing studies before the larger piece. In this case the Facade details for the BG city.
I love playing with abstract shapes and buildings always have lots of opportunity for just that. When designing anything, try thinking of the bigger underlying ideas, not just the surface details.
Sam

Sam

Little comps for film

The comps were done in black ink on illustration board.
The color image is a 5 minute class demo showing the power of the free form pen tool in CS5.
I love drawing with this tool and then using the locked layers to paint within. You can create some very bold stylized BG's and light them in literally minutes. The sketch could be taken to a very finished state but I liked the quick impression.

Sketches from mexico

Hey Everyone,
We had our latest family vacation and this time it was on a Disney Cruise to Mexico! I must say Disney does a fantastic Job of spoiling everyone during the cruise and there was tons of great reproductions from old Disney shorts and films hanging throughout the ship!!
Here are a few of my travel sketches from the trip. All done in water color and just to serve as memory postcards from the great places and wonderful moments.

Enjoy,

Sam

Moonshine Show at Gallery Nucleus

Hi everyone,

Some of us here at DW had the opportunity to be part of an exciting new book, which features our personal work created outside of the studio. To kick off the book we also hung some of our art, mainly originals, at the Gallery Nucleus! It is a great collection of original art done by some of the most talented people I know, so don't miss it if you are in the area.
The book should be available in Sept.

These two paintings were literally done the same week I had to ship them to the show and both were done in my favorite medium of all time, Gouache. I haven't had the time these days to work with actual good old fashioned paint so these were a wonderful break from using digital means. I hope you enjoy them and please let me know if there is interest in prints as I might be able to hook you up. The first image is entitled "Abandoned" and the other is "Hollow Stand".

Best,

sam
www.gallerynucleus.com/

MVA Vis Dev

Well, it's been too long since I posted but that seems to be my trend.
Here are a few things from MVA.
These were used to establish the initial look and ideas. More to come,I promise.
Enjoy,

Sam

urban oils

Well it's been too long since the last post but better late than never I guess.

I finished up on "Astro Boy" with Imagi Studios late last year and now I'm back at DreamWorks designing on one of the upcoming films. I'm not sure how AB is looking but our design team came up with some very cool art last year so now we need to cross our fingers that it makes it to the screen....

Here are a few more of my gallery oils from my 2005 Howard Mandville Gallery show. I also included a pic of how I start these paintings. I usually cover the board in pure cad red light and work like mad to cover the brilliant color before all the cones and rods in my eyes go completely crazy. Not sure if you guys have tried to stare at something that bright, but man is it hard to do. I tend to be bolder with my color when keying off of this bright red.

I am scanning more of my outdoor guoache sketches so I'll try and post those next...